Attached pic isn’t my favorite Rembrandt etching btw just one I’ve been thinking about lately. Seven unique states of it exist since it was reworked several times while the artist lived. That one is probably the third—must be earlier than the fourth since it lacks the damper on the flue. It’s thought the model sat nude at first and Rembrandt added the skirt later on. I like the feeling of warmth and domesticity in the scene and I think the condition of partial undress strengthens this.




